12. The Twelve Colleges (Saint Petersburg State University)
Arch. D.Trezini (1722-1742), Mendeleevskaya liniya, 5
The Twelve Collegia was commissioned by Peter the Great, who wanted a place for the Russian government, at the time divided into 12 branches:
The Senate (created in February 1711, eventually renamed "Council of the Empire")
The Synod
Nine colleges (later called ministries): Foreign Affairs, Revenue Collection, Justice, Expenditure, Financial Control, War, Admiralty, Commerce, Mining and Manufacturing
Additional, or tenth college/ministry for trade.
1. – 11. The Museum of Anthropology and Ethnography named after Peter the Great (Kunstkammer),(Chamber of Curiosities)-Universitetskaya naberezhnaya, 3
The museum was founded in 1879. Rich collection acquaints the visitors with the culture of the people of Asia, Africa, Australia and American Indians.
2. The Museum of Zoology. Universitetskaya naberezhnaya, 1
St. Petersburg's impressive zoological collection consists of over 17 million species, although only 500 thousand species can be displayed in the museum's current 19th century home. Exhibits range from enormous dinosaur, mammoths and whale skeletons to stuffed animals and birds and a unique collection of butterflies. Although the museum's exhibits are rather low-tech and old-fashioned, future funding projects hope to liven up the museum with more interactive displays and multimedia presentations.
З. (9)Тhе Central Naval Museum (Birzha)
(Former Stock Exchange Building) (The Central Naval Museum)
Birzhevaya ploshchad, 4
The Central Naval Museum is one of the oldest museums in Russia and one of the largest of its kind in the world. It originates from the Model Chamber, founded by Peter the Great in 1709. Initially it was a drawing workshop where all the ship models and drawings were kept. In 1720s - 1730s, there was even a singular exhibition of the most interesting models and drawings. In 1805 on the basis of the Model Chamber collection the Naval Museum was established. Naval officers hearty welcomed the appearance of the maritime museum and willingly supplied it with exhibits. Soon after even the tradition of bringing from voyages some rarities for the museum collection was established. But unfortunately the sailors thought that only foreign wonders and curiosities were worth bringing to the museum. That's why after a time the museum was crowded with the ethnographical, zoological and geological collections that had nothing to do with the specialization of the museum. Tsar Nikolay I decided that the museum wasn't effective and annihilated it.With the development of the shipbuilding the problem of systematic study of technical, historical and military experience became urgent, besides there was a need for preservation of valuable historical naval monuments and demonstration of the new achievements. The Russian Fleet desperately needed its own museum and in 1867 the Naval Museum was reopened.
After the Revolution of 1917 the collection of the museum was enlarged considerably due to the expropriated collections. A lot of exhibits connected with the royal family and famous aristocratic families were destroyed as not corresponding the new ideology.
In 1939 the Central Naval Museum was given one of the most beautiful buildings in the city - the Stock Exchange building. The Stock Exchange, the focal point of wonderful architectural ensembles of the Spit of Vasilyevsky Island, was erected in 1805 - 1810 to the project of the celebrated architect Thomas de Thomon. The strict classical image of the Stock Exchange corresponds well to the majestic and mighty style of the city. All around the building magnificent Doric colonnade, resting upon the granite stylobata, goes. Decorating the attic allegorical sculptural groups "Neptune with two rivers" and "Navigation with Mercury and two rivers" underline the Stock Exchange's connection with maritime subject.
The main exposition, enlightening the history of Russian navigation and Russian Fleet from the ancient time till nowadays, occupies 10 halls situated on the ground floor of the museum. There visitors can learn about the creation and history of Russian navy, the most important naval battles, that brought the glory to the Russian Fleet, geographical discoveries, circumnavigation and celebrated expeditions. Russian men-of-war's played an important role in the revolutionary events of 1917 and Civil War. Several exhibition halls are devoted to the Soviet Fleet in World War II. The exhibition devoted to the creation of the missile atomic navy in the USSR in 1965-1975 is especially interesting. There models of warships of different classes, atomic submarines of the second generation and a strategic missile submarine, as well as documents and photographs are on display. The exposition ends with the exhibition devoted to the Navy in the period of the so-called "Cold War", its development after the war and the state of Russian Navy nowadays.
In all, the Central Naval Museum stocks more than 8,000 items, among them there are models of ancient and modern ships, navigation tools, patterns of weapon and equipment, maps, photos, flags and banners, war booty, personal belongings of the famous Russian navigators, rich collections of paintings and numismatics. The oldest exhibit displayed is the ancient dug-out, the archaeologists date back to the 1st millennium B.C. The museum treasures "The grandfather of the Russian Fleet" - the famous botik (a small vessel) of Peter I.
10. Rostral Columns
Arch. J.-F. Thomas de Thomon (1805-1816), Birzhevaya ploshchad
Early in the history of St. Petersburg the Strelka (spit) of Vasilevsky Island, the largest island of the Neva delta, was intended to become the heart of downtown St Petersburg. Some of the buildings, such as the Customs House, still remain from that time, although downtown shifted onto the left bank of the river. In the early 19th century one of St. Petersburg's most elegant architectural ensembles appeared on the eastern edge of the island. The imposing white colonnaded building of the Stock Exchange was its focal point, and was flanked by two Rostral Columns. The Stock Exchange, designed by the French architect Thomas de Tomon and built in 1805-10, was inspired by Ancient Greek and Roman architecture. The two Rostral Columns, studded with ships' prows, served as oil-fired navigation beacons in 1800s (on some public holidays gas torches are still lit today).
The excursion termination № 2, the bus 259 to the underground the Neva avenue.
Walking tour № 3. The excursion beginning M. Nevskiy Prospekt
37. The Duma Tower
Arch. D.Ferrari (1799-1804), Nevskiy prospekt, 33
The City Duma building was the center of local government 1786-1918.
The Duma Tower seen on the left, was built 1799-1804 as a watchtower for fires. Ironically the tower was severely damaged by fire itself in 1998, but has since been restored.
The adjacent building on the left of the tower is the Municipal Assembly or Duma itself with its numerous offices and the Grand Assembly Hall. The original 18th century building was redesigned in the neo Renaissance style by Nikolai Efimov and rebuilt between 1847 and 1852. Some additional reconstruction work was also done in 1913. Low fourth floor level was added in 1914.
33. The Zinger Company Building (House of Books)
Arch. P. Suzor (1902-1904), Nevskiy prospekt, 62
Singer building in St. Petersburg is a historical and architectural heritage building and owned by the federal government. Seven-storey building, built in modern style (1902-1904) for «Singer» manufacturing company, occupies about 7000 square meters. Management of «Singer» corporation wanted to build a skyscraper, similar to the «Singer» building in New York City, but it was not allowed to build houses more than 22 m tall in the center of St. Petersburg. The architect constructed a tower with a globe made of glass on the top that made an impression of a «Skyscraper», but didn't block the view on other important buildings of the city center.
Arch. С Rossi, art. V. Demut-Malinovskiy, S.Pimenov (1819- 1825)
Inzhenernaya ulitsa, 4
14. The State Russian Museum (Mikhaylovskiy Palace)
All the buildings surrounding this square accommodate museums or theaters of some kind. To orient yourself, stand facing the front of the sculpture to Pushkin. On your left stands the yellow Maly Opera and Ballet Theater, named after the Russian composer Musorgsky. Designed by Alexander Bryullov, it opened in 1833. The internationally renowned dance company performs to the music of the world's most beloved ballets during the regular season.
If you look ahead, you will see the Russian Museum. While the world-famous Hermitage houses Russia's greatest collection of international art, this gallery retains solely the great works of the country's own painters and sculptors. These were collected by the czars over the centuries of their rule. The architect Carlo Rossi originally designed the building for the brother of Czar Nicholas I, the Grand Duke Mikhail, and completed it in 1825. It opened as a museum in 1898 as the czar's gift to the Russian public.
The street onto which the museum fronts is known as Engineer's Street. Head east on it until you reach Sadovaya Street. You'll know you're there when you spot the tracks for the city trams which run its length. Turn left and head down Sadovaya. You'll soon come upon a park situated to your left. Continue along. Opposite the gated entry to the park lies the Mikhailovsky (Engineers') Castle, painted orange. Cross the street and make your way onto the castle grounds.
36. Monument of A. Pushkin
Art. M.Anikushin (1957)
17. The Russian Ethnographical Museum-lngenernaya ulitsa, 4/1
The Russian Museum of Ethnography is one of the largest and famous museums in the world. Its collection contains above half a million objects and creates a broad picture of traditional life and culture of more than 150 peoples of Russia from the 18th-20th centuries.
The Museum was founded as the Ethnographic Department of the Russian Museum in 1895. In 1934 it became an independent scientific and cultural institution - the State Museum of Ethnography of the peoples of Russia, and since 1991 it carries the title the Russian Museum of Ethnography
40. The Monument to Peter I
Arch. F. Volkov, A. Mikhaylov, art. K.-B. Rastrclli, I. Terebenev, V. Demut-Malinovskiy (1745-1747)
In 1716, emperor Peter the Great commissioned the Italian sculptor Carlo Bartolomeo Rastrelli, father of his favorite architect Bartolomeo Rastrelli, to design an equestrian statue in commemoration of the Russian victories over Sweden in the Great Northern War. Rastrelli worked for eight years with a model of the monument before it was approved by the emperor in 1724. But as the emperor died the following year, work halted and the sculpture's casting was only completed after the sculptor's death, by 1747,only to remain in a local warehouse,and not to be erected until 53 years later. In the meantime, Catherine the Great had ordered another monument in memory of her predecessor Peter the Great - the Bronze Horseman, the most famous statue of Peter the Great in St Petersburg. At the base of the Bronze Horseman, Catherine even linked her name with Peter the Great, an expression of Catherine's attitude toward her predecessor and her view of her own place in the line of great Russian rulers. Catherine, who, having gained her position through a palace coup, had no legal claim to the throne, was anxious to appear as Peter's rightful heir.
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